Cain and Abel
by Nicholas Stavroulakis
This woodblock print is the first in a set of 12 prints by Greek artist Nicholas Stavroulakis depicting scenes from the Torah and the Prophets. Stavroulakis uses important words from the texts as part of his illustration of the action in the stories.
Gift of Paul and Alice Meyer, 2001.007.001
by Chaim Golberg
In this watercolor on paper, Goldberg captures the Eastern European mother. As one of the chroniclers of the lost shtetl of that era, Goldberg captured the traditional Jewish woman in her head covering. Gift of Gustav and Mira Berger, 2001.010.001
by Evelyn Presser
Evelyn Presser painted in primitive style, scenes of Jewish and rural life from her memory and imagination. Her family donated her works on Jewish themes to the Oregon Jewish Museum Collection after her death. Gift of The family of Evelyn Presser, 2001.011.006
Ketubbah Companion Piece
by Shonna Husbands-Hankin
Using ink and acrylics on paper, Eugene Artist Shonna Husbands-Hankin incorporated symbols that were important to the wedding couple for this work which was designed to accompany their kettubah. The branch of a tamarack tree references the place where the couple met; The dove represents the peace work they were involved in; the Star of David, speaks to their identities as Jews.
OJM Collection, 2004.045.001
Where Are We Going?
by Harold Persico Paris
A sculptor and printmaker, Paris (1925–1979) grew up behind the scenes in the Yiddish Theater of New York, where his father was an actor. This experience contributed to his unique style. Later, as a correspondent for Stars and Stripes during the Second World War, Paris witnessed the atrocities of the death camps at Buchenwald. Profoundly affected, his personal torment underlies his imagery. He began his Buchenwald series in 1945.
Gift of Laura Wingerd 2014.006.001
by Gary Pearlman
Local interior designer and graphic designer Gary Pearlman is perhaps better known in the Jewish community as a calligrapher, award designer, and paper artist. His pieces adorn walls both public and private throughout Portland. This piece was designed as an award welcoming Jack and Rose Olds into the Shalom Society in 2000. Gift of Gloria Borg Olds and Michael Olds, 2006.051.001
The Strong Thief
by Luis Camnitzer
This woodblock is part of a set of four prints by Luis Camnitzer, a German-born artist who grew up in Uraguay in the aftermath of the Second World War. The four prints each bear short parable texts that were their inspiration. Gift of Ruth and Herbert Aschkenasy, 2008.063.001
by Chaim Goldberg
Chaim Goldberg (1917-2004) was a Polish-born artist renouned for his depictions of the lost world of the town he grew up in. Escaping from the Nazis into Russia, Goldberg and his wife’s family returned to Poland after the war, where he worked by commission of the Polish government until making aliyah in 1955. In 1967 he moved with his family to New York, where the scope of his art widened from images of the old world to include his new home as well. Isaac Bashevis Singer wrote of Goldberg, “wrote in an introduction to an exhibit catalog "Chaim Goldberg came from the shtetl and remembers its every detail. He is never abstract but is true to the objects and their divine order. His work is enriching Jewish art and the image of our tradition."
Gift of Mira and Gustav Berger, 1995.001.001
Poster for Hasidic New Wave concert at the Aladdin Theater
by Mike King
Mike King is a Portland graphic artist who has been designing concert posters and record covers in Portland since the early 1980s.
Gift of Mike King, 2001.006.001
Declaration of the Establishment of the State of Israel
by Arthur Szyk
Polish-born Arthur Szyk (1894-1951) began work on this proclamation in 1948 when he heard the news of the establishment of the new state. He modeled the design after the tradition of medieval manuscript illumination. Miniature vignettes of Jewish history and the newborn State of Israel encircle the central Hebrew text. Images include: the pioneer (chalutz) who sows the land; the soldier who defends the land; Moses, with his brother Aaron, the high priest and the warrior Hur; Ezekial, the prophet who called for restoration to the Land; skulls and bones as a reminder of the Holocaust; King David, the first King of the Jewish People in Jerusalem; and the symbols of the twelve tribes of Israel.
Gift of Mira and Gustav Berger, 2001.001.004
Prisoners of Tobruk
by Jeanne Moment
Jeanne Moment, (1901-1984), known for her landscapes and representation of the natural world, had a lengthy and highly successful professional career as both teacher and artist in California and in Oregon, her chosen home since the 1940’s. She was the catalyst for the Keep America Beautiful campaign of the 1950’s, and was a dedicated environmentalist, avid skier, outdoorswoman, and lover of fine gardens. She was a worldly, political, and liberal woman, not to mention full of love and life.
Gift of Joni Cady, 2004.002.001
Pharaoh at the Red Sea
by Jaap Pander
Probably commissioned c. 1955 by World
Publishing Company, Cleveland, OH
to illustrate its publication of the Bible.
Watercolor on paper
Museum collection, 2011.032.001
Many Children Dwell in my Father’s House
by Irving Amen
Colored Woodcut on Paper
Gift of Rose Rustin, 2011.052.004
by Rafael Abecassis
Israeli artist Rafael Abecassis (1953- ) draws on his Moroccan heritage to create work with a strong Sephardic sensibility. This piece, created for a bride and groom, includes text from the “Seven Blessings:”
“Sameach t’samach re’im ahuvim k’sameychacha y’tzircha b’gan eden mikedem” (may these loving companions rejoice as your creations rejoiced long ago in the garden of Eden). Gift of Rabbi Ariel Stone 2006.025.003
The Next Day She Went Again (Miriam Cup)
by Mina Cohen
Cohen wrapped barbed wire around a woman’s black boot and a stemware glass as a memorial to her mother, a Holocaust survivor. The text on the boot tells the story of her mother’s survival. “She sustained her family as Miriam sustained the Jews in the desert,” says Cohen. “Each day she would escape the ghetto to get food to bring back. The next day she would go out again.”
Gift of May Georges, 1997.003.001